The only limitation is the slowest available shutter speed which, as for other 4k shooting modes is 1/30. Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers. $597.99. Panasonic Lumix FZ330 / FZ300 shooting experience. Or to put it another way, with three times the zoom range at less than half the cost, what’s not to like about the FZ330 / FZ300? You can upload directly to Facebook, Twitter, Picasa, Youtube, Flickr, but there’s two gotchas. The RX10 II has a separate card compartment as well as connections for headphones and an external microphone (the FZ330 / FZ300 has a mic socket but not one for headphones). Here I positioned the FZ300 / FZ330 on the table with the ketchup bottle in the foreground. On the right side of the Lumix screen there’s a small panel of touch icons which when tapped slides out to reveal more touch controls. As you’d expect, the FZ330 / FZ300 has Wifi support that allows you to wirelessly transfer images from the camera and operate it remotely using a smartphone. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. I could comfortably use it for long periods and it’s only by comparison with the – far more expensive – RX10 II that you become aware of its limitations. Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features. The FZ330 / FZ300 can also shoot 720p movies at 100fps for slow motion playback at a quarter real time speed and 640 x480 at 200fps for playback at 1/8th speed. As you can see from the two comparison shots below, which were shot at the same distance from the subject with the lens set to f2.8 at 200mm, The RX10 II’s larger sensor enables it to throw the background more out of focus than the FZ330 / FZ300. As an Amazon Associate I earn from qualifying purchases. I’m going to concentrate most of this section on Post Focus and refer you to previous reviews if you want more detail on 4K Photo – such as Gordon’s Lumix GX8 review. How about other alternatives? It’s a lot more substantial and feels a little bit more professional. That said, neither comes close to the performance you could expect from even a modest DSLR or mirrorless camera equipped with phase detect AF. Wifi allows you to wirelessly browse the FZ330 / FZ300’s images on the larger and more detailed screen of a smartphone or tablet, copy them onto these devices, upload them to online storage or social media services (either directly or via a smartphone), or become remote-controlled using the free Lumix Image app for iOS or Android devices. The FZ330 / FZ300’s screen has been updated with a higher resolution 1040k dot LCD panel replacing the older model’s 460k dot screen. Both the FZ300 and the FZ330 are recent models that are part of the current product line-up. Compared with the AF on the Sony RX10 II I’d say there’s very little to choose between them for single AF situations. Consistent information on actual sensor performance is available from DXO Mark for many cameras. In the three years since the FZ200 Panasonic has introduced some new ones so, in addition to the original line up of Expressive, Retro, High Key, Low Key, Sepia, Dynamic Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Miniature Effect, Soft Focus, Star Filter, and One Point Colour you can now add Old Days, Dynamic, rough and Silky Monochrome, Toy Pop, Bleach Bypass, Fantasy and Sunshine. This affiliate payment will not have any effect on the price that the vendor is charging you. Further information on the two cameras (e.g. Three consecutive perspectives from the front, the top, and the back are available. If a green rectangle appears, you’re in luck, if the rectangle is red the FZ330 / FZ300 didn’t record a frame with the focus set at that specific point. For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The focus is then adjusted using the second control dial on the lens barrel. - Panasonic Lumix FZ330 Bridge Camera - Battery charger - Battery pack - AC cable - USB cable - Lens hood - Lens cap - Lens cap string - Shoulder strap - DVD: Dimensions: 91.5 x 131.6 x 117.1 mm (H x W x D) Weight: 691 g: Guarantee: 1 year comparator from among the camera models in the table. The other issue is depth of field. Also for: Lumix dmc-fz330. Panasonic FZ300 is ranked #1 out of 244 Small Sensor Superzoom cameras with an overall score of 71 whereas Panasonic FZ1000 is ranked #4 out of 10 Large Sensor Superzoom cameras with an overall score of 71. Finally, the Lumix Image app allows the FZ300 / FZ330 to inherit the fun Jump Snap feature introduced with the GF7. » Above right: Sony Cyber-shot RX10 II at 200mm equivalent. The burst varies in length from a very short fraction of a second to about one second, depending on the nature of the subject and the number of focus planes the FZ330 / FZ300 decides to include. Amazon.com : Panasonic LUMIX FZ300 Long Zoom Digital Camera Features 12.1 Megapixel, 1/2.3-Inch Sensor, 4K Video, WiFi, Splash & Dustproof Camera Body, LEICA DC 24X F2.8 Zoom Lens - DMC-FZ300K - (Black) USA : Camera & Photo It works surprisingly well too. Both the FZ300 and the FZ330 are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor First off here’s the Lumix FZ330 / FZ300 in its 4k / 25p mode at 100 Mbit/s. Did this review help to inform your camera decision process? You can of course simply tap the screen to position the AF area in single area mode. I’ve included examples of some of the new ones, including all three monochrome options below. There’s also a 24fps option encoded at 100Mbit/s. When your magnified selection is sharp, you’re all done and can export the JPEG. And as with the screen, pressing the display toggles between a clean uncluttered view with only basic exposure details, the full info view, full info with an electronic level or the minimum info display with the level. This allows you to crop-in with the Sony and enjoy a little extra reach while macthing the 12 Megapixel resolution. While I was in the middle of my review of the FZ330 / FZ300 Panasonic announced a firmware update adding the new Post Focus feature to the Lumix FZ330 / FZ300 as well as the mirrorless GX8 and G7 models. Both cameras offer a resolution of 12 megapixels. Unlike many recent Panasonic models it doesn’t have an NFC chip, that’s not a huge drawback though, as you can quickly establish a connection by scanning a QR code displayed on the FZ330 / FZ300’s screen. As you might expect, in the default setting this toggles the live view display between the rear screen and the electronic viewfinder. Panasonic recommends using an SD card rated at Class 4 or faster for AVCHD, and UHS-I Class Speed 3 (U3) for the 100Mbit 4K UHD and 1080p / 100p / 120p modes. Hence, there is not much to differentiate the two. I began using Panasonic’s FZ range of Bridge cameras way back in 2004. The excellent Panasonic Lumix DMC-FZ300 superzoom offers a long focal range with a fixed-aperture lens, 4K video, and instant autofocus. Once the light starts to fade, however, it becomes much less reliable. The Panasonic FZ330 builds on the success of the ground-breaking FZ200 bridge camera, launched back in 2012. Additionally there are three AF styles, the usual AFS and AFC single and continuous modes are joined by a third AFF, or Auto Focus Flexible mode. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s. It also supports 4k UHD video at 25 or 30fps along with Panasonic’s 4k Photo mode – a fun way of exploiting the fact 4k video captures an 8 Megapixel image up to 30 times a second. So being able to keep the lens aperture open to f2.8 all the way to the the FZ330 / FZ300’s maximum 600mm equivalent focal length allows you to get better results in low light as well as better isolating your subject with a shallow depth of field. The question then is will 600mm be long enough for you and the answer of course depends on the kind of photography you plan on doing. You can also add a monochrome to colour fade in our out effect, as well as a simple exposure fade. Like its predecessor, the FZ330 / FZ300 has 1080p HD movie modes at 25 and 50 frames per second in PAL regions and 30 and 60 fps in NTSC regions. The Panasonic Lumix DMC-FZ330 offers exactly the same ISO settings. If you’re unlucky it’s possible that the in-focus frame will be the one where your subject blinks or adopts an unfortunate facial expression, but that aside, there’s no reason you shouldn’t get a good result even with a moving subject. It should also be noted that some of the review sites have over time altered the way they render their verdicts.